513
2.0

恋爱行星

导演:
林超贤
主演:
谢霆锋,林嘉欣,卢巧音,陈奕迅,陈洁灵,谷德昭,阮小仪,周俊伟,林雅雯
别名:
未知
2.0
513人评分
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简介:
热爱音乐的高风(谢霆锋 饰)理想是当一名音乐家,年幼时父亲离世,因为过度伤心而大病一场,康复后便就此失去了听觉。他一下子变得孤僻起来。后来他邂逅了喜欢跳舞的陈静(林嘉欣 饰),陈静性格开朗,对生活充满了憧憬。但好景不长,陈静因为车祸死去了。但七天后她就要参加一场舞蹈比赛的决赛,她希望可以借高风的身体让自己的灵魂寄居,让她可以参加比赛,高风答应了、高风也因为把身体借给了陈静,再次听到了音乐,却不肯弹奏音乐。鬼差要把陈静带走,高风誓死挽回。决赛当晚,静出场跳舞时由于体力不支倒下了,高风决定为她弹奏曲目……
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4.0
更新时间:07月29日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
1564
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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