黄金时代1946

简介：一场意外之中，书生张生邂逅了千金大小姐崔莺莺，张生成为了崔莺莺的救命恩人。碍于救命之情，崔莺莺的母亲无奈答应了张生和女儿的婚事，哪知道却临时反悔。苦苦思念崔莺莺的张生竟然患上了相思病，一病不起。

简介：东海龙女阿若一心寻找心爱之人，不计一切代价来到了凡人王生身边，而狐妖小蛮想要得到龙女身上的至宝灵叶，设计抓破了王生的心，阿若不得已用灵叶为王生补心，于是两女以王生为中心展开了一场”夺心”的较量。

简介：在某个学校存在一个奇葩班，里面的每个学生都是调皮捣蛋的学渣，但他们每个人也是不可多得的天才，在多次气走班主任之后，在老师韩雨的帮助下，学校为他们找来了无敌的孔孟老师，来引导他们好好学习，在一次次的师生交锋中，孔老师慢慢改变了学生们，让他们明白了自己的问题，都考入自己满意的大学。韩雨和孔孟的爱情也在隔壁尖子班王老师阴差阳错的帮助和捣乱下修成正果，在学生毕业一年以后结婚，所有人婚礼上重聚，还在婚礼上引出了校长和福利院陈院长两人的爱情，而王老师也在种种误会下被图书馆管理员表白，学生中梁乐乐和陈曦也因为爱情走到了一起。

简介：本片为田壮壮向1948年费穆执导的同名电影的致敬之作，与费版相比，画面颜色变成彩色，空间延展许多，女主人公的独白被隐去，故事内容和讲述的手法也有一些不同，变得更为今天的观众所能接受。　　影片伊始，便点题交代了年轻少妇周玉纹（胡靖帆）和丈夫戴礼言（吴军）之间貌不合神也离的关系，玉纹对礼言只是在尽传统道德伦理要求她尽的义务，同时，礼言的昔日好友、玉纹的旧时情人章志忱（辛柏青）正从上海赶往小城，虽然他的到访令玉纹在情与礼之间摇摆不定，有了走出小城的心思，但因独白不再，那更多是突兀而非满足心中长久以来的期待。而小妹戴秀（卢思思）因为身边原有一大帮和她一样充满朝气活力的朋友，志忱对她的触动以及她对志忱的爱，也打了些折扣。

简介：《众里寻他》是部同志爱情公路电影，主要讲述了因意外而丧失记忆游泳运动员穆然（陈熙明饰）整日颓废、滥交成瘾。在朋友绿子（张垚祎饰）的建议下他打算去旅行散心，顺便找回那丢失了整整一年的记忆。然而就在他找寻记忆的过程中，一个叫“苏辰（柳扬饰）”的名字却一直在他的脑海中挥之不去。嗅觉灵敏的穆然通过种种气味慢慢回想起了那个曾经深爱过的男人，并来到苏辰的老家——台湾。　　穆然来到台湾，他通过曾经记录了两个人的点点滴滴的手机里的照片寻找着苏辰。他见到了很多与苏辰有关联的人，他的记忆也逐渐清晰，关于苏辰，一个更大的谜团在背后昭然若揭。然而当事实陈列在穆然眼前时，那些爱恋阅后即焚，唯有一样的记忆，一样的泪水在风中堆积……

简介：宁波姑娘夏天在家庭变故带来的生活压力下，用自己的方式去承担、化解那些匪夷所思的困难。影片将全面展现在物欲横流的社会中女主人公独立自强、积极向上、永不言败的人物个性，用电影形态向社会传递正能量，由此激发人们积极向上的精神动力，并鼓励大家不断追求更加真实的自我情感，让生活变得圆满幸福。

简介：阿文（古天乐 饰）是一个小巴司机，在一次交通意外中丧生了，他的新婚妻子小慧（张栢芝 饰）强忍伤痛也要继续生活下去，还要照顾阿文与前妻生下的儿子乐乐（原岛大地 饰）。她开着阿文生前用过的小巴开始新的生活，可是行内的人都看不起这个女小巴司机，踌躇满志却处处碰壁。大辉（刘青云 饰）同情她的遭遇，便开始教授她一些在行内需要注意的行规以及竞争的方法。迫于生活的压力，小慧想让乐乐过上好生活，便打算把乐乐交给他的生母抚养，大辉出面阻止，并承诺帮忙抚养乐乐，但其实大辉心中也有不少解不开的结，两个同样心事重重的人，走到了一起。

简介：阿花（颜卓灵 饰）从小就展现出了过人的舞蹈天赋，长大后，怀揣着对舞蹈的一腔热情与热血，阿花加入了大学舞蹈队BombA。队长戴夫（杨乐文 饰）十分看好阿花的才能，两人相约挑战在舞蹈界称霸一时的Rooftoppers。没想到，这一举动却让阿花遭遇到了一生中最巨大的失败和挫折。　　伤心的阿花离开了BombA，之后偶然遇见了太极社社长阿良（蔡瀚亿 饰），阿良用太极带给了阿花启发，令阿花悟出了全新的舞步，同时找回了对舞蹈的热爱和自信。之后，阿花再一次向Rooftoppers发出了挑战，然而，就在这个节骨眼上，她却因为脚伤而无法行动，一直以来坚定的梦想眼看就要破灭，就在此时，Rooftoppers的队长飓风（Tommy Guns Ly 饰）找到了阿花，向她透露了一个惊人的秘密。

简介：在回家的途中，一位商人（安德烈·杜索里埃 André Dussollier 饰）遭遇了罕见的暴风雪，昏天黑地之中，商人误打误撞来到了一幢豪华神秘的城堡前。商人在城堡中受到了贵宾般的优厚待遇，但直到最后，商人仍然不知道城堡的主人究竟是谁。暴风雪停歇了，商人准备离开，临走之前，他决定在花园中摘一朵玫瑰送给自己最喜爱的小女儿贝儿（蕾雅·赛杜 Léa Seydoux 饰），而令他没有想到的是，长相狰狞的野兽（文森·卡索 Vincent Cassel 饰）出现在了他的面前向他索命。 　　商人失魂落魄的回到了家，将自己的遭遇告诉了六个儿女，爱父心切的贝儿决定代替父亲，只身来到了城堡。然而，等待着贝儿的却并非死亡，而是更加盛情的款待，野兽对她唯一的要求，就是不要离开城堡半步。贝儿并不惧怕野兽，随着时间的推移，两人之间的关系越来越近。

简介：尽管全球通力协作，地球还是不可避免地要与太阳相撞了，英国记者报道这个即将到来的灾难。

简介：生活在过去时空的一个男人和生活在现在时空的一个男人，都为了一个女人的命运而努力的爱情故事。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)